Description
MUSAYAR ZUCIYA BOOK COMPELET BY HAJJA CE
The teacher gave her a long look, amused by how she had answered him yet again, before pulling off the glasses perched on his face. He fixed his large eyes on hers, intending to scare her, only to find her staring right back at him as if she were about to devour him. Highly infuriated and with a scowl on his face, he threw her a fierce glare and barked out in a thunderous voice,
"Hey you! Are you out of your mind?!"
Indo stood up, adjusting her hijab—which was stiff, filthy, and torn all the way from the collar down to her chest—and replied nonchalantly,
"I'm doing okay, Malam...!"
"I can tell. Now go back to your seat, you simpleton," he said without looking at her. She returned to her seat and began scratching her head vigorously; judging by her frantic movements, she definitely had a case of head lice.
After finishing roll call, he stood up and walked out, waiting for the period to end so he could return for the English lesson. They barely understood a word of English, so whenever he wanted comprehension, he had to mix it with Hausa to get a flood of answers and questions. If he stuck strictly to English, they would stare at him blankly all night, looking as though they wanted to swallow him whole.
About five minutes after leaving, he walked back in carrying a stack of large and small books. Upon entering, he found the entire class in an uproar. Looking toward the back of the classroom, he spotted Indo and a boy locked in a fierce wrestling match, her hijab tightly wrapped around her. Grabbing his horsewhip, he marched over. The moment the other children saw him, they scattered, leaving only Indo and Lurwanu at the scene. He immediately started lashing Indo, since she was the aggressor, before turning his whip on Lurwanu while shouting,
"Hey! Let go of her shirt, you fool!"
The sting of the cane forced her to let go, though she had originally intended to stay put and split his lips open just as she had boasted earlier. Malam Sadeeq glared at them and demanded,
"What is going on between you two?!"
With eyes welling up with tears, Lurwanu stammered,
"Malam, she is the one..."
Before he could finish, Indo cut in,
"Malam, I swear he is lying, he started it..."
Fearing she would frame him, Lurwanu cut her off in return,
"Wallahi Malam, she is lying! I just placed..."
"Billahillazi Malam, he..."
"Keep silent or something else, you absolute blockheads!"
They didn't understand a single word of what he said except for his tone and the final phrase, which made it clear he was scolding them. They fell silent, staring at his handsome mouth—especially Indo, who looked as though she was tasting honey, completely captivated by how cool he looked.
He walked back to his desk, sat down, and signaled for both of them to come forward. Indo immediately began shoving Lurwanu out of her way as they approached Malam Sadeeq.
"You, what do you have against her?"
"Malam, it's her. We were just sitting down when she came over and started kicking me. I told her to stop, but she refused and kept going until we started fighting."
Before he could grant her permission to speak, Indo interrupted, glaring at Lurwanu with froth gathering at the corners of her mouth from sheer fury,
"You... Son of a... I swear by Allah, Malam, he pinched my back first, so I retaliated, and he did it again, which is why we started fighting! He's just an arrogant bully who looks down on me!"
"That's enough! Everyone go back to your seats, I don't want any useless noise."
They stood up and left. Indo's usual spot was at the very back of the class, so she headed back there, but Malam Sadeeq quickly called her back. When she arrived, he ordered the students in the front row to make space for her to sit right at the front—much to her intense annoyance, as she realized he clearly disliked her and would never take her side in any dispute.
He finished the lesson and left the classroom, the students completely exhausted by their hatred of a subject they couldn't understand without Hausa translation. When school ended, he hopped on his motorcycle and rode straight to his lodging. After taking a bath and praying Zuhr, he sat down in a corner and pulled out his phone to call his twin brother. On the first try, the phone rang, and as soon as it was picked up, he said,
"Hi twins, how is home and how is your workplace?"
From the other end, a soft voice answered, whispering almost like a murmur:
"I'm fine, all twins. How are the students? I hope you're getting things just the way you want!"
Sadeeq scratched the back of his neck as if his brother could see him, licked his lips, and replied,
"Nope! Twins, the whole school is just terrible, honestly. I arrived only to be assigned as a form master, and I have to teach in Hausa because half the time I don't even know how to translate the words for them, so I just leave them hanging."
His brother laughed out loud, knowing full well how much Sadeeq hated slacking off in academics, only to be thrown into a situation that would give him high blood pressure. Teasingly, he replied:
"Common, Sadeeq! Who knows, maybe your future girlfriend is right there. For God's sake, loosen up! You know villagers love people; you'll enjoy it, and they will love you. Just go find us a wife over there!"
Click! Sadeeq hung up the phone. He was not pleased with the conversation at all today. Instead of comforting him, his brother was mocking him and wishing that he find a wife there just to spite him. Meanwhile, Abubakar smiled after the call dropped, knowing Sadeeq was furious because of the teasing. He planned to visit the town eventually, see him, apologize, and check out how things were going.
A few hours later, Sadeeq was rushing toward the mosque to avoid missing congregational prayers when, just as he was about to cross a gutter, someone suddenly dumped dirty dishwater, soaking his trousers completely. He stared at the compound wall in deep frustration, but before he could even move, he was surrounded—and to his dismay, his own students were among the crowd. They began murmuring "sorry" as if he had suffered a serious injury.
"Oh, Subhanallah! Malam Sadeeq, what happened?"
Before he could answer, the person who spoke turned to a boy and said,
"Hey, make a dash into this house and ask them to help us with some water in a kettle."
The boy ran off, while the headmaster looked at Sadeeq with deep concern.
"How did this happen, Malam Sadeeq?"
With great effort, he reined in his irritation, looked at the headmaster, pointed at his stained trousers, and said,
"I was just walking to the mosque, and without paying attention, they carelessly threw out filth right on me as if they were inside their compound! More than that, they've wasted my time and I've missed congregational prayer."
"Ah, ah, Malam, please bear with it. You know how our village is; you just have to exercise patience. They are all like this, please forgive them."
At that exact moment, the boy who had been sent on the errand emerged from the house, followed by Indo carrying a kettle. The spout of the kettle was broken. She tilted it slightly as she walked out, asking,
"Who is looking for water in a kettle?"
Their eyes locked instantly. Indo quickly wiped her mouth and walked toward him, water spilling from the container as she exclaimed,
"La'ilaha illallah! Malam Sadeeq, is it you at our doorstep today?"
He ignored her completely, staring at the leaking, battered kettle, which prompted him to quickly turn to the headmaster and say,
"Your Excellency, let me just go back home. Staying here is a waste of time. Thank you..."
The headmaster bid him farewell without argument, and Sadeeq walked away quickly while bystanders offered apologies. Meanwhile, Indo called out,
"Malam, what about the water? Should I follow you with it, or should I smash it and take it back inside?"
When he refused to acknowledge her, Indo twisted her mouth in contempt—even though he wasn't looking—and went back inside, grumbling that they had just wasted their water on the ground when they didn't even have any to spare.
Today marked two days since Indo had skipped school. On the third day, the moment she stepped through the door, you could tell she was back by the sheer volume of noise and uproar in the classroom. When Sadeeq walked in, he found her sitting on the teacher's desk, wearing a pair of eyeglasses with the lenses popped out. She was holding a pencil, with one leg crossed over the other, mimicking Malam Sadeeq's exact posture:
"Mary Alto." "Zuwaira Jamilu." "Mansur Bawa."
The entire class erupted into cheers and laughter because they hadn't noticed him enter. Indo even stood up, laughing and saying,
"I swear by the Qur'an, this is exactly how Malam Sadeeq does it..."
They burst into fresh laughter, shouting, "Ohhh, you, INDO!"
"Shhht!" The sudden silence made her turn toward the doorway, where everyone else was looking. Her eyes locked directly with Malam Sadeeq's, whose face was as dark as a thundercloud. She quickly scrambled back to her seat—since whenever he was in class, that was where she had to sit; she only moved back to her usual spot at the very back after he left.
When he walked in, everyone stood up to greet him, every single one of them gripped with fear because they had no idea what disciplinary action he might take.
"Good morning, sir!"
He walked over, placed the register and other books on the desk, and gestured for them to sit down with a wave of his hand. Adjusting his glasses, he fixed his bulging eyes on Indo and commanded:
"You! Come here."
She stood up hesitantly, since everyone knew the word come. When she reached him, he gestured to the chair and said,
"Sit down."
She sat down because she knew that command; every day when students greeted teachers, they were told to sit down. She sat, her eyes darting nervously back and forth. He picked up the register, opened it, handed her a red and a blue pen, and said,
"Oya, start."
She quickly looked up at him and stammered,
"Yes, Malam..."
He lightly tapped the back of her head with his hand and said,
"Start calling the names, or else you're going to suffer. I can see you look down on me, so I want you to do it the way I do it, let me watch."
She stared down at the register, completely unable to make sense of it, let alone read out the names—especially since this was JSS 1. She looked up at him with a pleading expression and began begging for mercy:
"Malam, for God's sake, if you love your parents, please forgive me. Wallahi, billahi, I will never do it again!"
"Oh, so you won't start until I cane you?!" he asked, adjusting his horsewhip.
Instantly, Indo burst into tears, as she utterly despised being beaten with a cane. She quickly slid down to the floor, begging him repeatedly to forgive her, promising she had repented and would obey both God and him.
Seeing how shaken she was, he told her:
"Get up and go nail-down over there."
"Malam, haven't you forgiven me yet, please?" she cried, squeezing her eyes shut to force out tears, though not a single drop appeared. Seeing him sit down and start calling names anyway, Indo got up and did as she was told, knowing he hadn't actually forgiven her at all.
Once he finished roll call, he taught his lesson to completion, then pointed at her and warned:
"If you ever copy me again when I'm not teaching, I'll break you into pieces, do you hear me?"
"Yes, Malam, I won't do it again."
"It's better for you," he said, gathering his materials and walking out of the classroom, wondering how he could possibly manage to get a transfer out of this school—he utterly despised it; nothing about it suited him.
Two weeks later, on a Monday morning, Sadeeq was getting ready for his class, gathering everything he needed and preparing to step out, when he suddenly saw his twin brother, Abubakar, standing there in casual wear: a sea-green long-sleeved shirt, black trousers, and white eyeglasses that suited him remarkably well. They looked so identical that there was simply no way to tell them apart. Sadeeq stared at him in utter shock, walked over, and asked in disbelief,
"We were literally just on the phone a moment ago, but you didn't bother to tell me you were on your way? Why?!"
Abubakar shrugged dismissively, walked inside, sat down, and asked,
"Twin, are you heading to class?"
"Yeah, but since you're here, let's just head home so you can rest, and I'll go teach them tomorrow." He said this while trying to put his books back down. Abubakar quickly stood up, grabbed his hand to stop him, and said,
"No, let's go. I'll come with you and stay right by your side until tomorrow."
Sadeeq shrugged, picked his things back up, and turned, saying,
"Alright, let's go."
As they walked—moving with the exact same gait—they chatted along the way. Students peered out of their classroom windows in utter awe and astonishment upon seeing two Malam Sadeeqs. They arrived at the corridor of Indo's classroom just like any other day. As usual, they found the class in an uproar, completely unaware of their arrival. They spotted Indo standing on top of a desk with her hands on her hips, mimicking Malam Sadeeq's exact posture. Suddenly, Uwani Halilu yanked her down and pointed toward the classroom door. Catching sight of them, Indo dove straight under a bench, her stomach churning because she knew she was in deep trouble today.
"Good morning, sirsss!"
The whole class shouted in unison, standing up. The twins walked inside. Abubakar looked around curiously, while the students were utterly baffled about which one of them was their actual teacher. Sadeeq walked right up to the bench where Indo was hiding underneath and said,
"Hey you! Get up and come out, or I'll slap you."
Trembling, she lifted her head. Seeing that there were still two of them, she crawled back under, screaming in sheer panic:
"Oh my God, I'm done for! Malam has turned into a ghost! Wallahi, billahi, I didn't mean to do it, but Maryam Aliyu told me to do it and promised to give me five Naira! Please, Malam, don't haunt me, I swear I'll never do it again if I ever—"
Before she could finish, she felt someone dragging her by the ankle. The next moment, she found herself at the front of the chalkboard. Looking up and still seeing two of them, she completely fainted, collapsing on the spot from overwhelming shock and confusion.
Abubakar didn't even flinch or make a move to help; he just stared at her in utter bewilderment at her brand of madness. Sadeeq quickly shook her, calling her name in panic, terrified that she might have died and ruined his life, while the rest of the class started crying, believing Indo had died.
"Aisha! Aisha!! Hey, Aisha! Wake up! What's wrong with you?!"
Seeing Sadeeq completely panicked, Abubakar stepped over, tapped his shoulder, and said calmly and quietly:
"Sorry, my twin, she didn't die. She just fainted. Pour some water on her and she'll revive."
Sadeeq had completely forgotten that his brother was a doctor until Abubakar grabbed a student's water bottle, splashed some water on Indo, and she finally stirred back to consciousness. Sadeeq let out a heavy, deeply relieved sigh.
As soon as she revived, her eyes landed on the twins, and she scrambled backward, her body shaking violently. Seeing this, Abubakar—who had zero tolerance for nonsense—barked a terrifying shout and glared at her with wide eyes. Indo froze, trembling uncontrollably.
"Hey! I better not hear you screaming again, you simpleton! Don't you know twins are born? Or do we look like witches or demons to you?" Abubakar demanded, standing over her.
She shook her head frantically in terror. Then he told her:
"Get up and go sit down. I know you're fine now and don't need any rest."
She scrambled up and hurried to her seat. Sadeeq sat down on a chair and pulled up another one, gesturing for Abubakar to take a seat. Abubakar looked at the chair, then glanced over toward where Indo was sitting, scrunched up his face in disgust, and called out:
"Hey! Come here."
She hurried over, dropped to the floor before him, and said,
"I'm here, Malam."
"Don't you ever call me Malam again, you hear me? I am not your teacher!"
With a trembling voice, Indo stammered,
"Okay, sir."
Abubakar scowled, puckered his lips in annoyance, and demanded,
"Who is 'sir'?"
Indo replied,
"You are, sir."
Crossing his legs and glaring at her in frustration, he said,
"Stupid... What is the name of a male cow? What is it called in Hausa?"
Without thinking twice, she blurted out:
"It's called sah."
Abubakar asked, "Aha, do you think I look like one?"
She frantically shook her head no, completely bewildered. What was she supposed to say? Malam said he didn't want to be called Malam; he told her to call him "sir," but then he told her to call him an animal's name. Was she supposed to call him by his actual name, or call him baba, even though he wasn't old enough to be her father?
He stepped back slightly and commanded:
"Come and wipe down the chair for me to sit on."
Indo stood up, wondering if Malam Sadeeq had turned into a cruel monster today, or if this wasn't even him—because she still couldn't tell the two twins apart. She looked around frantically hoping to find a cleaning rag, but saw none. Seeing her hesitation, he spoke up:
"Hey! Are you not going to do what I told you? You're leaving me standing here."
"Mal... Si..."
At a loss for words, she stared at him, pouting because he was driving her crazy, and said:
"There's no rag, that's why."
Unbothered, he looked her up and down, curled his lip, and said,
"What is the use of the hijab on your body or the headscarf on your head? Aren't those rags too?"
Indo stared at him in shock. He raised a single eyebrow. She glanced at Sadeeq, who was sitting at the desk—much to her surprise, calmly opening the register—and then looked down at her own hijab, which was stained with brown palm-oil residue and torn at the neck, and told him:
"My hijab is a hijab, not a rag."
"If you don't take it off and wipe the chair for me right now, you're going to regret it, I'm telling you," he warned in a low, menacing growl.
With no other choice, Indo grabbed the hem of her hijab and wiped down the chair for him so he could sit, while she retreated to the spot Malam Sadeeq had designated for her at the front. Malam Sadeeq began calling names, and once roll call was over, he taught his usual English lesson. Abubakar sat back, laughing inwardly to keep from doing it out loud and losing their respect; whenever the laughter got too much, he simply lifted his textbook to hide his face. My twin brother is truly suffering; public schools really need prayers, he thought to himself as Sadeeq finished the lesson. Afterward, they packed up and headed back to the house where Sadeeq rented a room.
(Page break / Chapter 2 introduction)
After school dismissed, Indo and her friends headed toward the house where Sadeeq and his brother stayed. They started peeking around, listening to the noise and the running children without paying much attention, until Indo and Maryam Ali pushed their way inside to peer through the window of one of the rooms. There, they spotted Abubakar sitting on the edge of a mattress, typing on a laptop, wearing only a three-quarter short and a singlet. He hadn't expected anyone to be spying on them until he heard too much shuffling and looked up.
Shock and astonishment made him stand up instantly. The girls widened their eyes in tandem, still unable to tell which one of them he was because of their identical looks. As they tried to bolt, they found Sadeeq standing behind them, blocking the door and leaning against it with a fierce glare. A moment later, Abubakar walked out as well, his face scowled in anger.
"Oh my God, for the sake of God and Prophet Muhammad (PBUH), if you love your parents, please forgive us!" Indo pleaded, frantically clapping her hands in a begging gesture. Maryam squatted down as well, crying out for mercy:
"Please forgive us, wallahi it was Indo who said we should come and check if you guys were ghosts, wallahi I didn't even want to come inside!"
"Shhhhhhhhhhhhh!"
Abubakar hushed them, placing a single finger over his lips. He and Sadeeq exchanged glances and began advancing toward the girls. Indo and her friend started trembling as if struck by an electric shock, and they let out a terrified shriek:
"Iiihuuu! Oh God, somebody help us, they're going to kill us...!!"
Before you knew it, the entire neighborhood was filled with the noise, and people began pounding on the door, though the twins refused to open it. The children who had come along with Indo explained to the gathering crowd that Indo and her friend had sneaked in just to stare at them. An old man banged on the door again, listening to Indo's screams, and spoke in a loud voice:
"Hey you servants of Allah, please forgive them and open the door so they can come out, even if it's against their better judgment."
It wasn't until Abubakar forced the girls to kneel with their ears pulled for about ten minutes that Sadeeq finally opened the door. Indo and her friend bolted out of the house in terror. Even the neighbors came over to ask Sadeeq which one of twins he was. Sadeeq replied,
"It's me, Baba Hassan."
The man called Baba Hassan exclaimed,
"Praise be to God! Well, your striking looks mean you're bound to be the center of attention, since it's rare to see young twin brothers who look so remarkably identical. Even my own Al-Hussain and I—before he passed away—could be told apart, but there isn't a single feature to tell you two apart, so it's only natural the kids came to look."
Sadeeq smiled, scratching the back of his neck, while Abubakar turned around and walked back inside the room, feeling deep sympathy for his twin brother. This job was simply not working out; neither the school, nor the town, offered any peace, and the local madness was simply out of hand.
Summary
The narrative follows Malam Sadeeq, a young teacher posted to a rural government school where students struggle deeply with the English language, forcing him to switch to Hausa for basic comprehension. He frequently clashes with a stubborn, rebellious, and eccentric female student named Indo, who constantly disrupts class, copies his mannerisms, and instigates fights. Sadeeq’s identical twin brother, Abubakar—a medical doctor—visits him at his station to offer support and check on his stressful working conditions. Abubakar's arrival creates even more chaos when Indo and her friend spy on the twins in their lodge, mistake them for ghosts or demons, and faint in sheer terror. The story highlights the comical cultural clashes, rural dynamics, and behavioral extremes of the local students, culminating in Abubakar's realization that the remote posting is taking a heavy toll on his brother.
Analytics and Comments
- Character Dynamics and Conflict: The central tension revolves around the clash between modern, formal education (represented by Sadeeq and Abubakar) and unpolished rural realities (embodied by Indo). Indo serves as a comedic yet exasperating foil to Sadeeq, bridging defiance with adolescent fascination.
- Thematic Elements:
- Identity and Confusion: The trope of identical twins is utilized effectively for both humor and plot progression, notably when Indo hallucinates "ghosts" and faints upon seeing both brothers together.
- Language Barrier: The narrative cleverly underscores the systemic challenges in rural education, where the enforced use of English creates an insurmountable wall between curriculum and comprehension.
- Tone and Style: The prose balances situational comedy, authentic regional dialogue (Hausa context), and vivid character descriptions, successfully transitioning from classroom mischief to domestic frustration.
Conclusions
The narrative paints a vivid, humorous, and slightly exasperated picture of rural teaching life in Northern Nigeria. Through Sadeeq's trials and Abubakar's outside perspective, the story emphasizes the immense patience required to navigate under-resourced educational environments and culturally unique student bodies. Ultimately, it leaves readers questioning whether Sadeeq will endure the eccentricities of students like Indo or abandon a posting that continuously tests his sanity.
Extended Narrative Analytics and Thematic Breakdown
- Micro-Sociological Realism in Rural Education: The story captures the structural friction of primary and secondary education in under-resourced Nigerian settings. The language barrier is not treated merely as a plot device but as an institutional failure: Sadeeq is mandated to teach a curriculum in a language his students neither speak nor comprehend, reducing pedagogy to rote copying and behavioral management. The resort to Hausa is the only functional bridge, highlighting the disconnect between national educational standards and grassroots reality.
- Character Archetypes and Foil Dynamics:
- Malam Sadeeq embodies the frustrated, idealistic professional who finds himself ill-equipped for the sheer unpredictability of rural postings. His strictness is a defensive shield against an environment that refuses to conform to standard classroom discipline.
- Indo functions as the quintessential anti-heroine of the classroom—a caricature of resilience, mischief, and unbridled curiosity. Her defiance stems not from malice, but from a total lack of socialization regarding formal boundaries. She views Sadeeq simultaneously as an oppressor, an object of intense fascination, and a standard to be imitated (manifested in her mimicking of his posture and roll-call style).
- Abubakar provides a clinical, detached observer's lens. As a medical professional, his analytical approach to human behavior—treating Indo's fainting spell as a physiological reaction to shock rather than a supernatural occurrence—grounds the narrative's absurdism in medical reality.
- The Motif of Identity and Doppelgänger Chaos: The introduction of the twin trope (Abubakar and Sadeeq) escalates the narrative from simple classroom comedy into existential farce. Because the twins are visually indistinguishable, they disrupt the local epistemology of the village. For students like Indo, whose worldview is bounded by the familiar, the sudden manifestation of two identical authority figures shatters their reality, leading quite literally to mass hysteria and fainting. The doppelgänger motif symbolizes Sadeeq's internal split: his professional identity as a teacher versus his personal identity as an overwhelmed individual seeking escape.
- Socio-Spatial Power Dynamics: The physical spaces in the story—the chaotic, lice-ridden classroom, the teacher's desk as a throne of authority, and the rented lodge where privacy is constantly violated by prying village children—reinforce the theme of intrusion. Sadeeq has no safe harbor; even walking to the mosque results in a literal and metaphorical washing in village squalor (the dumped dishwater). Indo's invasion of his private lodge with Maryam underscores the permeable boundary between public authority and private life in a tightly knit, gossip-driven rural community.
- Psychological Subtext and Resolution Tension: Underneath the broad comedic strokes lies a genuine study of burnout. Sadeeq's recurring desire to secure a transfer reflects the quiet desperation of civil servants stranded in environments where they feel isolated and ineffective. The narrative leaves open the psychological toll of this cultural collision, contrasting Sadeeq's escalating migraine-inducing frustration with Abubakar's detached, albeit empathetic, diagnosis that the posting is fundamentally untenable.
HR